London and Qatar team up for literary salon

Bloomsbury Publishing and Qatar Publishing have united to form the Bloomsbury Qatar Literary Salon, a series of ongoing events to be held in London and Doha, Qatar, at which Arab writers will be given the opportunity to discuss their work.

The first event, last Thursday, featured British-Egyptian writer Ahdaf Soueif, whose The Map of Love was shortlisted for the Man Booker Prize in 1999.

The second event, to be held in Doha on the first night of Ramadan Iftar, September 9, will feature readings by established and up-and-coming Arabian poets. Future events will follow approximately every two months.

Larry McMurtry may retire from novel writing

Claiming his well of fictional inspiration may be running dry, 73-year-old Texan novelist Larry McMurtry has stated at a recent gathering that his new book--to be released on August 11--will probably be his last novel.

Rhino Ranch will be the thirtieth novel in a corpus that includes Terms of Endearment, The Last Picture Show, and Lonesome Dove, which won a Pulitzer Prize in 1986. Centering around an attempt to protect the endangered African black rhinoceros by importing it to the United States, Rhino Ranch will be the fifth installment in a series of novels set his native North Texas which began in 1966 with The Last Picture Show. Most of McMurtry's novels, which are often labeled as modern westerns, are set in Texas.

In addition to being a novelist, McMurty is a screenwriter--he co-won an Academy Award for his screenplay to Brokeback Mountain--and an avid reader and book collector. His collection of over 300,000 books can be perused and purchased at Booked Up in Archer City, Texas.

From the Dallas Morning News:

"It's a finite gift, for sure," he says of novel writing. "I'm about at the end of it. I can write certain things. I don't think I can write fiction any more. I think I've used it up over 30 novels. That's a lot of novels."

McMurtry made the remarks during a recent visit at his home in Archer City. He huddled almost an hour with invited guests from the Mayborn Literary Nonfiction Conference, which is sponsored by the author's alma mater, the University of North Texas.

"Most great novels are written by people between 40 and 60, or 35 and 60," he says. "Not too many great novels are written by people over 75. Hardly any. Maybe Tolstoy."

Hilary Mantell favorite to win 2009 Man Booker

Hilary Mantel has taken literary gamblers by storm; of the thirteen contenders on the Man Booker Prize for Fiction longlist released this week, ninety-five percent of gamblers have placed bets on her Wolf Hall to take the big prize in October, leading oddsmakers to call Mantel's win a shoe-in.

Wolf Hall follows Thomas Cromwell's scandalous influence in the sixteenth-century court of Henry VIII. The book has received glowing attention from BBC2 recently, a possible source of its favoritism in the race.

The Derbyshire-born author has published twelve books--including a memoir and a short story collection--since 1985 and has been shortlisted for both the Orange Prize and the Commonwealth Writers Prize in recent years. Her stiffest competition this year is from South African Nobel laureate JM Coetzee.

In September, the longlist will be reduced to six nominees, and from those six one will win the £50,000 prize at London's Guildshall on October 6.

The German experience in Colombia

Colombian novelist Juan Gabriel Vásquez has written a debut novel detailing the xenophobic accusations against and hardships of German immigrants in Colombia during the second World War, blending the historical story with more recent Colombian history. Titled The Informers and translated into English by Anne McLean, the novel has been given a very positive review by Larry Rohter of The New York Times.

Running like an undercurrent through “The Informers” is the violence that has pervaded Colombian life for decades, leaving survivors with the “fleeting altruistic regret one tends to feel when listening to news of someone else’s death.” A cavalcade of assassinations, kidnappings, bombings and other terrorist attacks perpetrated by guerrillas and drug lords are mentioned in passing, so casually that when one character is asked about the death of a lover, she replies: “There was a fight and guns came out and he got shot, nothing more. The most normal thing in the world.”

Mr. Vásquez also proves adept at capturing the sense of dislocation and vertigo experienced by those forced to separate from their language and culture. Novels about immigrants have become a genre of their own in recent years, usually centered on Latin Americans or Asians trying to make their way in the United States or some other industrialized country. Here, though, the positions are reversed, and while one Nazi supporter sneers at Germans in Colombia who “wanted to assimilate” and have “done so downward,” Mr. Vásquez clearly sympathizes with those struggling to adjust.

Vásquez was born in Bogotá in 1973, and Los informantes was originally published by Alfaguara in 2004, at which time it was hailed by the Colombian magazine Semana as one of the most important novels of the past twenty years. In 2007, Vásquez published a second novel in Castilian, Historia secreta de Costaguana, which has won awards in Colombia and Spain. Having studied at the Sorbonne of France, Vásquez now lives in Barcelona, where he works in journalism, translates the works of Victor Hugo, E.M. Forster and John Hershey, and has written a brief biography of Joseph Conrad, whose style and themes often draw comparisons to his own work.

Serpent's Tail press acquires rights to Italian Booker Prize winner

Serpent's Tail, an independent publishing house based in London, has acquired the worldwide English-language rights to Tiziano Scarpa's Stabat Mater, the winner of 2009's Premio Strega, the leading literary award in Italy.

The epistolary novel is told from the point-of-view of composer Antonio Vivaldi's teenage muse in eighteenth-cenutry Venice.

Hemingway tried to spy for the Soviets

New evidence examined in Spies: The Rise and Fall of the KGB in America (co-written by John Earl Haynes, Harvey Klehr, and Alexander Vassiliev) suggests that Nobel Prize winning American author Ernest Hemingway was an unsuccessful spy for the Soviet KGB in the 1940's.

According to The Guardian:

Its section on the author's secret life as a "dilettante spy" draws on his KGB file in saying he was recruited in 1941 before making a trip to China, given the cover name "Argo", and "repeatedly expressed his desire and willingness to help us" when he met Soviet agents in Havana and London in the 40s. However, he failed to "give us any political information" and was never "verified in practical work", so contacts with Argo had ceased by the end of the decade. Was he only ever a pseudo-spook, possibly seeing his clandestine dealings as potential literary material, or a genuine but hopelessly ineffective one?

The wreckage of intervention

In a vivid article for The National, Christopher Stewart reports on the unstable conditions in seventeen-month-old Kosovo, the world's youngest independent nation. His compellingly detailed examination includes an interview with the poet Basri Capriqi, president of the Kosovo PEN.

Capriqi was a youthful 31 in 1989, when Slobodan Milosevic made his infamous speech at the field of Black Birds, invoking the Serbs’ defeat there at the hands of the Turks in 1389 to incite anti-Albanian sentiments among the thousands of Serbs in his audience.

In the months that followed, Kosovo’s status as an autonomous province within the republic of Serbia was revoked, and ethnic Albanians were purged from public institutions – judges, prosecutors, police officers, teachers. Out of a job, Capriqi watched as street signs, storefronts and newspapers all came printed in Serbo-Croatian and any Albanians deemed enemies of the state were arrested and tortured. Capriqi retreated into literature, reading books to remind himself that there was a sane world beyond the horizon, and writing what he terms “antinationalist poetry. Everyone else was writing about being brave and fighting. I wrote: ‘I’m scared like a duck. I’m afraid.’” ....

"Our thought was to achieve this through passive resistance, like Gandhi. The sad truth is that nothing in this region could be resolved without war. Other places broke up without bloodshed, like the Soviet Union, but this region is different.” Capriqi paused and fiddled with a pencil. “After the war, the intellectuals felt lost. Our peaceful project had failed. We felt sorry that our ideas had failed. I came to think that war was probably the only way, but that is very sad. It has changed things.”

Capriqi’s most recent book of poetry, Taming the Snake, published in 2005, is a veiled critique of what has happened to Kosovo. “It is about taming the beast and restoring humanity to the land,” he said. “There is a lot of that to be done here, taming and restoring. I just don’t know anymore. I had high hopes, but this is not exactly the Kosovo I imagined. I’d like to be optimistic, but it is hard. Some of the people in power are warriors, not politicians,” he said.

Scream Literary Festival honors fallen books

Chelsea Miya of NOW Toronto reports on the Scream Literary Festival, a conference of Canadian writers, publishers, graphic novelists, poets, and artists that satirically eulogizes the death of the book. The festival, which began on July 2, will last until Sunday the 11th.

The Scream Literary Festival brings together some of the best Canadian authors, poets and artists. Hymns, readings, performances, and workshops explore the imminent demise of books and book culture.

Because it’s not just the books themselves that suffer.

Beneath Toronto’s storefronts is a graveyard. From the recently demised David Mirvish Books to Yorkville mainstays the Book Cellar and Britnell’s, Bloor Street is a virtual cemetery of loved and lost bookstores.

“When people hear dead bookstores, they think we’re poking fun,” said Carey Toane, who organised the July 4 Bankruptcy Walking Tour — a memorial trek for the lost.

“But it was a serious walk. We left flowers. People talked about their memories. When you ask writers and fans of literature they all have a favourite independent bookstore. It’s the only place you can find small press books, so when they disappear so does a huge chunk of Canadian culture.”

The Revenge of Print

Publisher Eric Obenauf, writing for The Brooklyn Rail, muses on the possible near death and hopeful rebirth of the book and print media market in the modern United States:

Such efforts expose a key fundamental flaw within the mindset of modern corporate publishing: the perceived role of the book in today’s society. In the past, because of the necessary evolution required to actually create one, coupled with an ambition to deliver a valuable artifact to the world, a book was imagined by publishers as a means to both inspire and inform culture. Now the opposite is occurring. In a flagrant attempt to compete with Internet culture, to crash books into the marketplace on hot button topics from steroids to celebrities, from political scandal to political ascension, corporate publishers aim now to meet immediate demand. If a book about teenage vampires becomes a bestseller, then the hustle is on to find and market a series about pre-teen vampires. And because of this constant rush to the market with books that have the shelf-life of a bruised tomato—in hardcover, with supplemental cardboard cut-outs that stand in chain store windows and usher customers down narrow sales aisles—this ideology has influenced the ebb and flow of the industry. A worthy book that has been crafted over several steps and patiently delivered with care is outshined by a gossip memoir by a B-list celebrity’s cat-sitter.

Norway names 2009 the Year of Hamsun; Israelis protest Nazi-sympathizer

Norway, which was recently appointed to head the twenty-six-nation-member Task Force for International Cooperation on Holocaust Education, has turned heads by designating 2009 "Hamsun Year" in honor of Knut Hamsun and naming a cultural center--due to be opened in August--after the writer.

Knut Hamsun, who died in 1952, is considered to be Norway's most talented writer for his psychologically-riveting, realist novels The Growth of the Soil and Hunger. He won the Nobel Prize for Literature in 1920 and was called the "father of modern literature" by Yiddish Nobelist Isaac Bashevis Singer. He was, however, a Nazi sympathizer, a supporter of the Quisling occupation, and the author of an Adolph Hitler eulogy. Jewish and non-Jewish protestors in Israel and Norway have called the commemoration of Hamsun irresponsible and contradictory.

"Knut Hamsun wrote magnificent literature, and also an obituary for Adolf Hitler," Bodil Borset, the designated director of the Hamaroy Hamsun Center responded last month in Aftenposten, the country's second largest newspaper. "He was among our greatest authors and a Nazi sympathizer. Can we reconcile this?"

The center, Borset said, would be "more than happy" to invite Zuroff and Gerstenfeld to attend a conference next year on the Hamsun Center's activities.

"Borset appears to believe that Hamsun's literary brilliance warrants the celebration of his birth, regardless of his active support for a regime which annihilated innocent civilians," Zuroff wrote in reply. While expressing willingness to attend, Zuroff insisted the event is held as soon as possible, while Norway still chairs the Task Force, so that it may have "practical consequences."

Norwegian representatives of the cultural center have invited Israeli thinkers to debate the author's legacy next year, at a time which Israelis deem too late to be relevant.