The South African reports:
Seeing Coetzee read on Thursday night thus presented a spectacle to make any postmodern literary critic lick their chops: an almost pathologically private man reading his own “fictionalised memoir”, with Summertime achieving a further distancing effect by means of the fact that the book takes the form of a series of interviews with people from Coetzee’s life carried out after Coetzee’s death. The surprise for those in the audience was how much of a showman Coetzee emerged as, when reading his own work, inserting moments of broad comedy into his performance that had the audience rocking with laughter. It was an incongruous moment: fellow South African writer Rian Malan claimed a colleague of Coetzee’s once testified that in a decade of working together, he had seen him laugh just once.
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